27 Jan. St Aloysius College Higher Primary School is getting ready for its School Day, today at 5.30 pm. It will be held at the School premises. All are welcome
I could not update you yesterday on the Boys’ Hostel, since I had to go for premiere of the much talked about Nayi Neralu of Girish Kasaravalli.
By the way, Subashini, Asst Director, of the film was there to introduce the film at Adlabs. The film begins with the old house, Nagalaxmama (Nagu) in her bed. Her husband Achchanaiah is forced to have a look at Vishwa who claims to be Rajanna, a diceased son of the old couple. The old woman takes it seriously. She wants to see Rajanna, whereas Achchanaiah phoophoos the idea (though not categorically).
His daughter in law – Venku or – Venkatalaxmamma wears a red saree without a bindi. Initially she also refuses to believe. Her daughter is a modern girl,rejects the claim outright. She can’t bear to see the differential treatment given to her mother, due to her widowhood.
Achchanaiah falls into the emotional trap set by Nagu, and Viswa comes home. He is a bird watcher, hardly itnerested in the affairs of day to day life or practicalities of life. He hates to see Venku wearing red. In the absence of the husband, Nagu forces Venku to wear a colour saree, bindi, and go before Viswa, who immensely likes her. Venku does not like this idea, but likes the feel of a normal life.
While washing clothes, a romantic scene can you take you -fan of Girish Kasaravalli- by surprise – the flowers. And the disturbed honeybees force Venku to protect Viswa. All hell breaks loose; Venku is trapped in Viswa’s arms. When the home and the world realises that this rebirth belief has gone a long way ahead, Venku declares that the “fruits” of this changes are apparent. She stoutly refuses to part with Viswa, citing their own previous arguement of rebirth.
Venku and Viswa are separated from their village (thanks to Rajanna’s compassionate father). Their daughter refuses to accept Venku her mother. She complains to the police. Viswa has to be arrested on fraud. He is sentenced. Venku’s family coaxes her return. They question her belief and the long absence of Viswa. But when the person is in your heart, why do you need belief?
The film is brilliant. The story spanning three generations -represented by Nagu, Venku, and daughter Raji- unfolds very beautifully and with compex structure. I like the acting of Nagu and Viswa, specially in some scenes like brushing his teeth with coal, boating, etc.
Probably, Kottukapally’s music is a too loud for Girish’ movies. Else, there is not much to complain. Running in Adlabs (Mangalore), at 7.00 pm, it is a treat to watch.